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Blood and chocolate
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  Library Journal Review

Vivian is a hot-blooded, teenaged werewolf, torn between the sweetness of her "meat boy" Aiden and the heat of Gabriel, the new leader of their pack of loups garoux. Why It Is Great: Ten years before Stephenie Meyer's Twilight, Klause made readers swoon with her tales of teen vampires and werewolves in love. Her first novel, The Silver Kiss (1992), used vampires as a metaphor for death and grief. Lovely stuff. Why It Is for Us: Blood and Chocolate is, on one level, an unironic feminist manifesto. With her sexual self-confidence and sensual description of werewolf physicality, Vivian is the anti-Bella some Twilight fans are looking for. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

  Booklist Review

Werewolves are kid stuff, you say. Not in the hands of Klause, whose fierce, sexy novel is a seamless, convincing blend of fantasy and reality that can be read as feminist fiction, smoldering romance, a rites-of-passage story, or a piercing reflection on human nature.

  Kirkus Review

Klause returns to the steamy sensuality of her first book, The Silver Kiss (1990), for this tale of a hot-blooded teenage werewolf who falls for a human ``meat-boy.'' Grieving for her father and unimpressed by the age-mates in her pack, Vivian defies her mother and fellow lycanthropes by setting her sights on suburban poet-schoolmate Aiden Teague. It's an experiment that's doomed from the start. Vivian may look human (when she chooses), but her attitudes, instincts, and expectations are decidedly wolflike; short-tempered, direct in action and emotion, rough in love and play, shapeshifters make dangerous companions, their veneer of rationality as thin as their senses are sharp. Poor Aiden--as a prospective lover he's not so different from prey; to Vivian his smile flashes like heat lightning, and at times he looks so delicious she wants to ``bite the buttons off his shirt.'' When, after a series of sultry but frustrating dates, Vivian reveals herself to him, he responds, not with the pleasure and lust she expects, but stark terror. Extrapolating brilliantly from wolf and werewolf lore, Klause creates a complex plot, fueled by politics, insanity, intrigue, sex, blood lust, and adolescent longings, and driven by a set of vividly scary creatures to a blood-curdling climax. The werewolves' taste for risky pranks and the author's knack for double--and even triple--entendres add sly undercurrents to this fierce, suspenseful chiller. (Fiction. 12-14)
In Blood and Chocolate, Annette Curtis Klause does for werewolves what Anne Rice has done for vampires. Sixteen-year-old Vivian Gandillon is trying to fit in to her new home in the suburbs.  But trying to act "normal" isn't always easy, since Vivian and her family are werewolves.  It's glorious to have the power to change, and Vivian is a beautiful loup-garou with all the young wolves howling for her.  But she wants no part of her squabbling pack, left leaderless by her father's recent death. Then Vivian falls in love with a human, a meat-boy.  If she reveals herself, will he relish the magic of her dual nature?  When a brutal murder threatens the pack's survival, Vivian's divided loyalties are further strained.  What is she really--human or beast?
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